Special Offer - Copyright Youtube Video + 5 years Content ID protection for only £89.99Copyright Now ×
All about how to Copyrighting your work. What is Copyright. Berne Convention. How to Copyright your Youtube Video, literary, dramatic, design, musical or artistic work. What is protected by Copyright. How to get Content ID protection to your Video. How long does the copyright last and others 100s of easy to understand articles in one place. Copyright your work online and get instant protection. Copyright.Online the official copyright service.Copyright Work Now
In copyright law, there is a concept of fair use, and there are some other similar terms such as fair dealing, or fair practice. Fair use allows certain actions that can be taken but would not normally be considered to be an infringement of the work. According to fair use rules, you may be allowed to utilize quotations or excerpts, where the content has been made available to the public, (i.e. published), as long as the use is deemed acceptable according to the terms of fair dealing, the quoted content is justified, and no more than is necessary is included, and the source is mentioned in the quoted content, along with the author's name. There are several typical free uses of work, namely, inclusion for the purpose of news reporting, incidental inclusion, and national laws typically allow limited private and educational use.
In terms of fair dealing legislation, fair dealing is used to specify several limited activities that are permitted without violating copyright laws. They are listed as follows:
1. Research and private study
Copying parts of a typographical arrangement of a published edition or a literary, dramatic, musical or artistic work for the objective of research or private study is permitted if the purposes of copying the work is for research or private study and for non-commercial purposes, the source of the material is mentioned, and copies of the material are not made available for a number of people.
2. Instruction or examination
Copying parts of a sound recording, film or broadcast or a literary, dramatic, musical or artistic work for the objective of instruction or examination is permitted if the copying is made by the person giving instruction or the student, the copying is not made via a reprographic process, the source of the material is mentioned, and the instruction is given for a non-commercial purpose.
3. Criticism or review
Quoting parts of a work for the objective of criticism or review is allowed if the material has been available to the public, the source of the material is mentioned, the work quoted must include some assessment or actual discussion (to warrant the criticism or review classification), and the amount of the content quoted does not exceed the necessary amount for the purpose of the review.
4. News reporting
Using content for the objective of reporting current events is allowed if the material is not a photograph, the source of the material is mentioned, the amount of the content quoted does not exceed the necessary amount for the purpose.
5. Incidental inclusion
Incidental inclusion is known as the part of one work that is unintentionally included in another. The incidental inclusion of a work in a sound recording, artistic work, film or broadcast is not an infringement.
6. Accessibility for someone with a visual impairment
It is regarded as fair dealing to make a copy of a work accessible for another with a visual impairment if a suitable accessible version is not already available.
7. Parody or pastiche
Under exceptions of copyright law, you are granted permission to limited use of a copyrighted work to make a parody or pastiche of the work without the need to ask for the author's permission. However, this should be treated with cautions, because there is not much instruction or case law rulings to follow. It is stated in the IPO guidance that the use must be “fair and proportionate”, and this exception does not limit other rights of the author (for example to object to defamatory or derogatory treatment).
Music is created every day in all forms, whether it’s a radio jingle, a new number-one hit or a film soundtrack. Creators of any form of music are legally protected by music copyright. This protection ensures composers, recording artists, producers and other creatives are sufficiently recognised and recompensed for their work. The song’s music and lyrics are protected by copyright as soon as you record them in some way even if it’s just a rough recording on your cell phone.
Copyright law explains how to copyright songs. You can copyright music, lyrics, or both. You may copyright a new song or a new version or arrangement of an existing song. The song must be an original work and must show some minimal amount of creativity.
Music copyright includes the right to the song and the right to the recording, known as the master copyright. The master is the final version of a recording. All CDs, vinyl records or digital versions of this master are copies made with a license to copy the master. A music copyright is actually a bundle of separate exclusive rights. When you copyright songs, you have the right to, make and distribute copies, make and distribute the sound recording of the song, grant a license for the song and earn a royalty fee, prepare derivative works, including new arrangements, perform the song and authorize others to perform it, display the song.
There are principally 2 types of copyright to consider when we talk about music copyright.
· The traditional ©, ‘C in a circle’ copyright, applies to the composition, musical score, lyrics, as well as any artwork or cover designs, as all of these are individually subject to copyright in their own rights.
· The second type of copyright applies to the sound recording itself, and is signified by the ‘P in a circle’.
Copyright protects your work and prevents other people from making use of it without your authorization. Copyright arises automatically as soon as you create your work, so you are not required to apply or pay a fee. There is no register of copyright works in the UK.
As mentioned above, you will automatically obtain copyright protection when you create original literary, dramatic, musical and artistic work; including illustration and photography; original non-literary written work, such as software, web content, and databases; sound and music recordings; film and television recordings; broadcasts; the layout of published editions of written, dramatic and musical works.
The existing copyright law in the UK is the Copyright, Designs and Patents Act 1988. According to the Act, the creators of literary, dramatic, musical and artistic works have the right to control the way to make use of their works. To be specific, they have the right to copy, adapt, issue, rent and lend copies to the public, Broadcast, and public performance. The length of copyright depends on the type of each work. For example, the copyright lasts 70 years after the author's death for written, dramatic, musical and artistic work. For Broadcasts, the copyright lasts 50 years from when it is first broadcast.
You can license the use of your work if you are the copyright owner. You can also get your work licensed by a licensing body, for example, a collecting society, who will agree licenses with users and collect royalties for you. Also, your copyright can be inherited and will have validity as long as the work remains in copyright.
Furthermore, you can keep or waive your ‘moral rights’, including the right to be identified as the author of your work, object to the way that your work is presented, for example, if you think it causes damage to you or your reputation, and object to alterations made to your work.
Copyright Licensing Agency
The Copyright Licensing Agency (CLA) is the body that deals specifically with the licensing of certain copyright material in the UK. The CLA was established in 1983 by the Authors' Licensing and Collecting Society (ALCS) and the Publishers Licensing Society (PLS, now Publishers' Licensing Services) to perform collective licensing on their behalf. The Copyright Licensing Agency is based in London with an additional office in Edinburgh, Scotland.
The aim of the CLA is to obtain fair rewards for authors, visual artists and publishers for the copying of their work. CLA is a non-profit organisation and money collected in licence fees is distributed to the copyright owners after company costs have been deducted.
The CLA acts on behalf of authors, artists and publishers of books, journals, magazines and periodicals (including digital publications) by issuing licences and ensuring copyright compliance. The CLA issues blanket licences to organisations on an annual basis in return for an annual fee. This permits:
· photocopying or scanning from books, journals or magazines
· copying or printing articles from a website or other digital content
· emailing copies of articles or extracts from publications
· storing copies of articles or extracts on the organisation’s intranet.
The licence avoids the need to request permission each time a reproduction of a copyright work needs to be made. It also includes an indemnity from the CLA for all copying done within the terms of the licence.
The CLA operates three different types of licence aimed at the public sector:
· Public Administration Licence – for local authorities, public bodies, central government departments and agencies (excluding the NHS)
· NHS Licences – for NHS trusts and health authorities
· Library Licence – for walk-in users at public libraries.
The CLA’s compliance arm, Copywatch, has been notably proactive in its pursuit of local authorities that it perceives to be non-compliant.
The term 'copyright checker' refers to the 'Check Permissions' service, which is provided by the Copyright Licensing Agency (CLA). CLA is a UK non-profit organization that is established with an aim to assist customers legally copy, access, and share the published material they need, while also ensuring that owners of the copyright (authors, publishers, and visual artists) are paid fair royalties for the use of their work.
This search tool gets access to a database of over 17 million publications to identify what is covered under each type of CLA license as well as NLA media access education licenses and the Schools Printed Music Licence. You can start your search by entering a term, or a number of terms into the search box; you can choose to use any of the terms below: the title of a publication, a contributor (author) name, a website URL, and an ISBN or ISSN identifier. To make sure you receive an accurate result for your license type, you need to choose the correct sector from the drop-down list at the top left of the results page, under the heading 'Show Results by Licence Sector'.
Copyright in images arises automatically under UK copyright laws when a photograph or other image is created, provided that it is someone’s original intellectual creation (as opposed to purely computer-generated) and fulfils all the other criteria necessary for it to attract copyright protection. The image itself will constitute an artistic work, while any text accompanying it may be a literary work.
Photographs, illustrations and other images will generally be protected by copyright as artistic works. A user will usually need the permission of the copyright owner if they want to perform certain acts, such as copying the image or sharing it on the internet. Images in this context include: digital photos taken on mobile phones and digital cameras; images that were first generated on photographic film and any digital images created from them; and images such as diagrams and illustrations. The symbol © may be affixed to a piece of work to indicate that it is protected by copyright.
The first owner of copyright is usually the creator of the image (such as the photographer or artist), although there are some exceptions to this rule, such as where the image was created in the course of employment. Owning or possessing a physical copy of an image does not mean that you can use the image as you wish, as it does not make you the owner of copyright in the image. Often, the person using an image is not the original owner of copyright in it but is using it under licence or has bought the copyright. Many images seen on the internet are owned by picture libraries who have bought the copyright and then licensed it on to others for use in specific materials and for a set duration.
This refers to the 'DMCA notice and takedown process', which is known as a tool for copyright owners in order to have user-uploaded content infringing their copyrights removed from websites. It is a well-established internet standard followed by internet service providers (ISPs) and owners of the website. Any content owner is granted the right to process a takedown notice against an Online Service Provider and/or a website owner if the property of the content owner is found online without their authorization.
These Takedown actions happen upon receipt of a DMCA Takedown Notice, using rules outlined in the Digital Millennium Copyright Act. (DMCA). This Act directly addresses the process of takedown of infringed materials from websites that are publishing materials violating copyright protection act or content being utilized without authorization or not in accordance with the statement of the content owner.
For processing the takedown notice, the copyright holder will send a takedown notice to an ISP requesting the service provider to remove infringed content to their copyrights. A service provider can be an internet service provider, website operator (e.g, Amazon), search engine (e.g., Bing, Google), a web host, or other types of online operators. Some elements should be included in a takedown notice that are described by the copyright law. The online provider has a right to refuse to take down the content if most of these elements are not included. The service provider still may refuse to take down the content even if a takedown notice complies with all the legal requirements. Nevertheless, if they fail to do so, then they may be responsible for assisting with copyright infringement.
Copyright your work to protect your work.
What is Copyright Law
Copyright law lays out a framework of rules around how that work can be used. It sets out the rights of the owner, as well as the responsibilities of other people who want to use the work. It enables the copyright holder to copy, change, sell, share, rent his work and also prevent other people from doing these things.
Copyright is legal right that protects the use of your work once your idea has been physically expressed. Under the copyright law of United Kingdom, a copyright is an intangible property right subsisting in certain qualifying subject-matter. Copyright law is governed by the Copyright, Designs and Patents Act 1988, as amended from time to time. As a result of increasing legal integration and harmonisation throughout the European Union a complete picture of the law can only be acquired through recourse to EU jurisprudence.
For the work to be protected by copyright law it needs to be original and tangible.
· Original: For a work to be original it must be the product of your own skill and labour or intellectual creation and should not just replicate the work of someone else (such as imitating a drawing or a painting).
· Tangible: It can’t just be an idea as Ideas cannot be copyrighted. The idea needs to be expressed in some kind of physical form. For example, When you make up a tune in your head, it is only protected by copyright law from the moment you write down the musical score or record a performance of it.
EU Copyright Directive
The EU copyright rules consist of the Directive on Copyright in the Digital Single Market and the Directive on Television and Radio Programmes. The Directives were published in the Official Journal of the EU on 17 May 2019. The objectives of EU Copyright Directives are to establish more cross-border access to online content; offer more opportunities to use copyrighted materials in education, research, and cultural heritage; and create a better functioning copyright marketplace.
To be more specific, one of the sole purposes of the Directives is to enhance the availability of works for European citizens, bring new channels for creators and the cultural heritage of the EU to the forefront. In addition, the purpose of the Directive on Copyright in the Digital Single Market is to modernize the EU regulations applicable to key limitations and exceptions in the fields of research, teaching, and preservation of cultural heritage, in particular focusing on digital and cross-border uses. The exceptions that are mandatory under the proposed directive are in relation to Teaching activities, Text and data mining, and Preservation of cultural heritage. Last but not least, the measures focus on building a fairer market place for online databases, especially for online platforms, press publications, and remuneration of authors and performers.
The Directives are issued with the hope to help European copyright industries to thrive in a Digital Single Market and authors to reach new audiences while making European works widely available to European citizens, also across borders. The main aim is to make a good balance between copyright and relevant public policy objectives such as research, innovation, education, and the demands of individuals with disabilities.
Copyright Registration Certificate
This certificate is generated after you register copyright for your work, and it plays a role as evidence of registration of creation in digital formats for the registrant or for the original work. The certificate includes the public date of registration in order to identify the ownership registration process. This Certificate has been issued electronically, and it is recognized worldwide as non-disclaimer and internationally verifiable evidence. Therefore, in case of infringement or plagiarism, the owner of copyrighted work can provide a proof of registration of their work to support their claim.